Here’s a nice article in the Observer on the fifty greatest film scores of all time. OHMSS comes out at #20.
Cunningly, Barry’s OHMSS theme, in which a horn-led melody and Moog take unexpected twists and turns, articulates Bond’s raison d’etre: kill or be killed. Additional swirling strings remind us of the urgency of his task, [...]

continue reading.....

Happy Birthday, Mr. Bond.

continue reading.....